Zeid & The Wings - Balekeh EP

01 C'est un problem
02 Chouei
03 Iza W Law
04 Jazira
05 Balekeh (Acoustic)

HERE

 

Hiba Mansouri هبه المنصوري

Hiba was born in Kuwait in 1980 and fed all her childhood with Arabic classical songs from the 50 s and 60 s, growing up surrounded by the region's rich Arabic musical heritage

Her particular voice ( soft and very emotional) attracted the attention of Lebanese producer Zeid Hamdan .
They recorded some songs together, reinterpretations of songs belonging to the Arab musical tradition. One of the most successful songs is definitely Ahwak, song made famous by Lebanese singer Fairuz. In 2009, Hiba accompanied Hamdan on a tour of Lebanon and performed in Dusseldorf with a group called "The Baalbeck Project" .
In the same year she signed a contract with El Jihad Murr, the owner of MTV Lebanon. This contract involves the realization of her first EP titled "Sah el Nom". The album, for reasons unspecified, will never see the light. The tracks made, can be found here and there in compilations and film soundtracks. Musical creations of Hiba Mansouri, considered by Zeid Hamdan as trip-hop Arabic, consists of a fusion of electronic beats, samples of old pieces Arabs and guitars upbeat features of reggae music.
Hes live performances are truly sporadic and occur mainly in Beirut, but despite this, Hiba Mansouri is a sort of icon of rest underground in the local scene and her concerts are really something that stays in the memory.


The one presented here is a collection of songs that she has made over the years, some of which should have been included in her debut album.

Hiba mansouri è nata in Kuwait nel 1980 e si è nutrita per tutta la sua infanzia di canzoni classiche arabe degli  '50  e '60  , crescendo circondata dal ricco patrimonio musicale della regione .
La sua voce particolare (morbida e molto emozionante) ha attirato l'attenzione del produttore libanese Zeid Hamdan.
Insieme a lui ha registrato alcune reinterpretazioni di brani appartenenti alla tradizione musicale araba. Una delle canzoni di maggior successo realizzate dal duo è sicuramente “Ahwak”, canzone resa famosa dalla cantante libanese Fairuz. Nel 2009, Hiba ha accompagnato Zeid Hamdan in un tour attraverso il  Libano e si è esibita in Europa con il gruppo chiamato "The Baalbeck Project".
Nello stesso anno   ha firmato un contratto con El Jihad Murr, proprietario di MTV Libano. Il contratto prevedeva la realizzazione del suo primo EP intitolato "Sah el Nom". L'album, per motivi non specificati, non ha mai visto la luce. Le tracce realizzate , si possono trovare qua e là in compilation e colonne sonore di film.
Le creazioni musicali di Hiba Mansouri, considerate da Zeid Hamdan   trip-hop Arabo , consistono in una fusione di ritmi  elettronici, campioni di vecchi pezzi arabi e chitarre  in levare proprie della musica reggae.
Le sue esibizioni dal vivo sono davvero saltuarie ed avvengono perlopiù a Beirut ma, nonostante ciò , Hiba Mansouri è una sorta di icona underground nella scena musicale araba ed i suoi concerti sono davvero qualcosa che rimane nella memoria.

Quella qui presentata è una raccolta di canzoni che  ha realizzato nel corso degli anni, alcune delle quali avrebbero dovuto essere incluse nel suo album di debutto. 








 
Hiba Mansouri هبه المنصوري - The Ghost Album

01 Ahwak اهواك
02 Fog el nakhl فوق النخل
03 Sah el nom صح النوم
04 Yalla Tnam
05 Rima (Lebanese traditional lullaby )
06 Souleyma سليمي
07 Lola
08 Automne الخريف Part of the Album for children " Loulou 3al wardat"
09 Hadikati حديقتى Part of the Album for children " Loulou 3al wardat"


HERE
or
HERE

Maii Waleed مي وليد

Maii is an 22 years old Egyptian girl .Known mostly for her brief stint in the all-female heavy metal band Mascara, and her off- and on-screen contributions to Ahmad Abdalla’s documentary-styled film “Microphone,” Maii Waleed may just be one of the more exciting talents in the sounds of Egypt’s underground.

In short, Waleed’s sound reflects a whimsical journey into the many melancholies faced by Egypt’s modern-day youth. Her lyrical content seems to heavily draw from autobiographical romantic turbulence or various existential crises, making her music perfect for those many pontificating loners.

Waleed’s first foray into music was at the age of 15 in her native town of Alexandria. After dabbling with piano, choir and a musical poetry group in high school, Waleed eventually found herself veering away from an institutionalized musical education, and taking up instead a more do-it-yourself approach to making music.

“I took some piano lessons as a kid, but quickly realized that I preferred learning music on my own in a way that could fit with my interests,” explains Waleed. “I started by writing lyrics when I was 16, and then began teaching myself the guitar — I wanted to be on my own, rather than relying on other people to play the chords properly, or waiting around to see if they are in the mood or not.”

By the time Waleed was 17, she began joining and forming several bands with other friends within Alexandria’s emerging underground music scene in the early 2000s. This list of bands includes Nail Polish, Grin, Sameka, Telepoetic and the more widely known ensemble Mascara.

While in Mascara, Waleed played the drums and keyboard, and was also a lead vocalist, but eventually left the band in 2008 due to creative differences, thus beginning her solo career.

Singing predominately in Arabic, Waleed’s music has also been used in the soundtracks of short films such as Emad Maher’s “Neon Lamp” and Islam Kamal’s “Shali,” in addition to Abdalla’s “Microphone.”

“Working on ‘Microphone’ was an interesting experience because I worked both on camera and as an assistant director,” says Waleed. “Mascara was featured prominently in the film, and at the time, their bassist, Perry Moataz, was unavailable, so I acted in her place.”

Later in the film, Waleed also appears as herself in an interview with the smarmy state employee. In this scene, as part of her bid to obtain a permit to perform in a government-backed concert, she performs a version of her song “Trash and Nostalgia” on the ukulele.

But Abdalla was not the only one to catch wind of Waleed’s talents; along the way, she was introduced to the venerable Lebanese musician and producer Zeid Hamdan, who expressed interest in her music. In 2010, Waleed was invited to participate in the annual Red Bull Music Academy in Beirut, and it was then that she and Hamdan began laying down the foundation for her debut EP.

“I wanted to work with Hamdan because he has a very open and unique approach to music. He is highly professional, but at the same time, he makes the entire process fun,” explains Waleed. “I always had the fear of getting serious about something I did for fun and never thought I would take my music professionally, but Hamdan has such a great understanding of what underground music really is, and how to properly position your music and image  so it was very easy to work with him.”

The album, produced by Zeid Hamdan , has been credited to MAII & ZEID .Will be titled "Moga" and will be presented at " Metro el Madina" in Beirut on the 4 th May 2013 at 9.30 pm.

( Sources : http://www.egyptindependent.com , http://www.lebaneseunderground.com,   http://maiiandzeid.wordpress.com)

Maii Waleed , un introduzione al dream pop arabo

Per un musicista underground è quasi scontato sentirsi incompreso nell’Egitto contemporaneo specialmente se sei una ragazza , ex batterista di un gruppo heavy metal, che si è dedicata alla creazione di un ibrido quasi unico nel mondo arabo; un indie pop-rock apparentemente privo di contenuti politici espliciti.

Conosciuta soprattutto per la sua breve esperienza nei “Mascara” , metal band tutta al femminile, e per il suo contributo al film "Microphone" del regista egiziano Ahmad Abdalla, Maii Waleed , giovane musicista ventiduenne ,rappresenta uno dei più freschi talenti venuti fuori dalla scena underground egiziana.

Cresciuta nella città di Alessandria , si è avvicinata alla musica all'età di 15 anni. Dopo essersi dilettata con il pianoforte, nel canto in un coro e in un gruppo di poesia musicale al liceo, Maii decise di prendere le distanze da una formazione musicale istituzionalizzata, adottando un approccio alla musica più fai-da-te .

"Ho preso alcune lezioni di pianoforte da bambina, ma capii ben presto che preferivo imparare la musica per conto mio, in un modo che riuscisse a coniugare i miei interessi", spiega Waleed. "Ho iniziato a scrivere testi quando avevo 16 anni, poi cominciai a suonare la chitarra, volevo essere autonoma piuttosto che fare affidamento su altre persone per imparare correttamente gli accordi "

Protagonista dell’emergente scena underground della sua città, nei primi anni 2000 all’età di soli 17 anni ,diede vita insieme ad altri amici a vari gruppi musicali . Tra questi : Nail Polish, Grin, Sameka, Telepoetic e l'ensemble più noto , i Mascara. In quest’ultimo gruppo rivestì il ruolo di batterista, tastierista e cantante ma nel 2008 , in seguito a divergenze creative, lascio la band ed iniziò così la sua carriera solista.

Le sue prime composizioni, cantate prevalentemente in lingua araba, sono state utilizzate per le colonne sonore di vari cortometraggi egiziani come "Neon Lamp" di Emad Maher e "Shali," di Islam Kamal’ , oltre che in "Microphone" .

"Partecipare alla realizzazione di "Microphone" è stata un'esperienza interessante, perché ho avuto modo di lavorare sia con la macchina fotografica che come aiuto regista", dice Maii " il gruppo Mascara ha avuto un posto di rilievo nel film; siccome Perry Moataz , il loro bassista, non era disponibile, ho preso io il suo posto."

Nel film Maii Waleed appare anche come se stessa in un'intervista ad un dipendente statale. Durante questa scena, nella quale si assiste al suo tentativo di ottenere il permesso di esibirsi in un concerto sostenuto dal governo, viene eseguito un suo brano "Trash & Nostalgia" per ukulele.

Il regista Ahmad Abdalla non è stato l’unico ad accorgersi del talento di questa giovane autrice. Nel 2010 , grazie all’ invito per la partecipazione all’annuale Red Bull Music Academy a Beirut, Maii Waleed entra in contatto con Zeid Hamdan , musicista e produttore libanese, artefice di alcune delle migliori produzioni musicali degli ultimi dieci anni. Zeid rimase molto colpito dalle composizioni della ragazza e si propose di aiutarla nella realizzazione del suo primo album.

"Volevo lavorare con Hamdan perché ha un approccio aperto e unico alla musica. E' una persona molto professionale, ma allo stesso tempo rende l'intero processo produttivo un divertimento ", spiega Waleed. "Ho sempre avuto il timore di rendere serio qualcosa che ho fatto solo per divertimento e mai avrei pensato di sviluppare la mia musica in modo professionale, ma Hamdan ha una grande comprensione di ciò che è davvero la musica underground così è stato molto facile lavorare con lui ".

L’album composto da dieci tracce e intitolato “Moga“ è stato accreditato a Maii & Zeid e uscirà nei prossimi mesi con il marchio Lebanese Underground , il sito gestito da Hamdan. Un' anticipazione del suo contenuto sarà possibile ascoltarla ( oltre che su piattaforme audio quali Soundcloud) nel corso della presentazione che si terrà al " Metro el Madina" di Beirut il 4 maggio 2013.

In una scena musicale dominata dalle ballate disco pop di Tamer Hosny la musica di Maii Waleed appare come un gioiello trascurato. Le sue liriche, narrazioni che spesso si avvicinano ad un vero e proprio flusso di coscienza , sono guidate da un immediatezza emotiva che affronta tematiche quasi esistenziali. Cuori spezzati, commenti sociali ,enigmi metafisici e rapporti prossimi alla fine. Assimilabile alla categoria dei cantautori ne rappresenta in realtà un 'evoluzione. Nella sua musica sono presenti echi trip hop,   atmosfere acustiche ed  elettriche ,suoni che evocano atmosfere spaziali rarefatte,   il tutto rimaneggiato fino a creare un prodotto unico e personale che qualcuno definisce Dream pop.

In "Trash & Nostalgia," la voce gentile di Maii, trattata con effetti, scivola splendidamente all'interno di una morbida linea costituita da un tamburo e da un riff di chitarra

" Mi piace fondere la voce con la musica. Fondamentalmente, sto imparando a curare la mia voce come se fosse uno strumento ", spiega . 

Questa giovane donna fieramente indipendente ha creato un suono decisamente personale all’interno della musica araba contemporanea . Un suono che rappresenta un viaggio attraverso le tante malinconie che attanagliano i giovani egiziani, il cui contenuto lirico attinge a piene mani sia da elementi autobiografici che da crisi esistenziali collettive . 

Le sue composizioni ad alto tasso malinconico costituiscono un esempio perfetto di come si possa coniugare l'approccio musicale occidentale alla spiccata sensibilità della canzone classica egiziana. Non più semplici “Habibi Song “ ( le classiche composizioni che trattano di amori perduti e/o desiderati) ma brani dal forte contenuto intimista che  riflettono i turbamenti, non solo politici, di un' intera generazione con un passato certo allo spalle, ma con un futuro ancora tutto da scrivere.

Le logiche sociali che hanno dominato l’intera regione si stanno lentamente frantumando. Le forze politiche uscite da quella che noi abbiamo chiamato “Primavera araba” stanno disattendendo le speranze di larga parte della popolazione, ma i ragazzi, la forza trainante di una società, come spesso succede sono molto più avanti di chi li governa. Una serie di ottime realtà musicali e artistiche sono cresciute negli ultimi anni. Il mondo arabo, sia in campo musicale che nell' ambito delle arti visive  è perfettamente inserito nella contemporaneità. Maii Waleed è solo un esponente di un vasto movimento che dall’Egitto alla Palestina sta dando libero sfogo ad un impulso creativo che difficilmente si potrà fermare. La  "Nahda" , quel rinascimento sociale , politico , culturale  e filosofico che interessò il mondo arabo alla metà del XIX secolo, sta facendosi risentire.  Il flusso di  informazioni giunto  da occidente viene assimilato  ed inserito in contesto artistico  del tutto nuovo; non si tratta di semplice imitazione ma di una vera e propria via araba alla modernità nella quale una tradizione culturale antica viene rielaborata con risultati spesso sorprendenti.

Non sono cosi ingenuo da pensare che la musica possa cambiare il mondo, ma   l’esempio che tanti giovani artisti arabi stanno dando alle generazioni più giovani  rappresenta  una di quelle leve che potranno in un prossimo futuro scardinare le logiche censorie che fino ad ora non hanno permesso l’espressione di un vero libero pensiero.

Maii & Zeid - Moga

01 Baad el bahr
02 El amar el gedeed
03 El amar el gedeed
04 Eswed Ramadi
05 Hassafer baeed
06 Mesh men hena
07 Mesh moufeed
08 Moga
09 Neptune
10 Warda w nahla


HERE
Maii & Zeid blog

Maii Waleed مي وليد - Some songs





01 Betbossely keda leih 
02 el bent di
03 Eswed rmady
04 Kalam EL leil
05 ana wa enta
06 Trash and nostalgia
07 warda w na7la ( a flower and a bee)
08 yaum el etneen
09 Aswat w Zabzabat ft Maii Waleed
10 Moga (dark wave)
11 Rid of me (cover)
12 Neptune
13 al limun
14 mother's bedroom
15 Running and jumping


HERE

Kazamada كزامدى

KAZAMADA (Translated to: Multiple Dimensions) is the first of a kind band in the Arab World, consisting of independent artists from different Arab countries; Zeid Hamdan (Lebanon), Donia Massoud (Egypt), Mahmoud Radaideh (Jordan), and Tamer Abu Ghazaleh (Palestine).

KAZAMADA mixes Zeid's advanced electronic sounds with Donia's deep-rooted Egyptian voice, Mahmoud's rock guitar vibes, and Tamer's progressive Oud & Buzuq plucks, with inputs from each of the artists' diverse musical backgrounds, and an output that combines these backgrounds into fresh Arabic sound. The genre of this output can be named Neo-Arabic-Pop.Since its inception, KAZAMADA toured in Athens, Amman, Damascus, Beirut, Alexandria, and Cairo, and has earned respectable feedback from critics, press, and the audience.

(Source :http://www.womex.com)

KazaMada - 3alallah (Electro-Acoustic Mix) from Yahya Mekkawi on Vimeo.



Kazamada كزامدى - Some songs

01 Helm حلم بهيه
02 Mish mohem
03 Yehsal Eh
04 sayb aydy سيب ايدي
05 Ayoub al misra أيوب المصري
06  hawwal ya ghanam حول يا غنام
07 'ala allah ta'udu  على الله تعود
08 قولوا ليه كلام
09 Yehsal Eh ( vocal Tamer Abu Ghazaleh)
10 Mish Mohem (live)

HERE

Zeid Hamdan & Zeid and the Wings

Zeid Hamdan is a Lebanese singer, songwriter, musician, and pioneer of the underground music scene. He was born in Beirut in 1976 
He plays guitar , bass some keys and also sings
He is the music producer behind some of the most successful bands on the Lebanese and regional alternative scene.
Amongst them artists and bands like Soapkills (Arabic trip hop), The New Government (pop rock ),Katibe5 ( arabic Hip hop),Shiftz (Arabic electro) ,Hiba Mansouri (Arabic trip hop), Kanjha Kora (Guineean Pop), Kazamada (Arabic electro pop) , Maryam Saleh (Arabic electro pop) , Dany Baladi (Arabic electro pop) , Miles jay (Oriental ) and recently Maii Waleed.

He also scored the music for the following movies :

Flouss Academy from Ibrahim Lteif (Tunisia ,2013)
Beirut Hotel From Danielle Arbid (Lebanon 2012)
Rehleh from Meyar El Roumi (Syria 2012).
Che gue Vara died in Lebanon from Christina Foerch Saab(Lebanon ,2011)
Hadouta min Sag from Aida Kachef (Egypt,2010)
Yanoosak from Elie Khalife (Lebanon ,2009)
Tangerine from Irene von Alberti (Germany ,2009)
From Beirut with Love from Wael Nureddine (Lebanon,2008)

In July 2012 he was distinguished by CNN as being one one the 8 leading light of Lebanese Culture.
He should release in 2012 an Album for Maryam Saleh and Maii Waleed.

Zeid’s latest venture, Zeid and the Wings, are an eclectic group of musicians and singers that came together gradually over the last year. Zeid placed an ad for ‘backup singers’ in early 2010 and was contacted by vocalists Yasmeen Ayyashi and Sara Barrage. The band has been since been blessed with the talents of guest musicians such as ney player Bashir Saade and keyboardist Rita Okais and was later joined by Lumi’s guitarist Marc Codsi who added his own unique touch to Zeid’s already one-of-a-kind
tracks. Gihan El-Hage, a third vocalist, joined the fledgling project in May of 2010. Today the band tours with musicians of the Syrian star band " Tanjaret Daght " with Khaled Omran on Bass and vocals , Dany SHukri on drums and Tarek Khouloud on keyboards and guitar.

It is hard to define Zeid and the Wings’ repertoire as any one genre. The
band is known for producing Arabic folk , reggae , rock and electro songs
with an edge thanks to the blending of harmonic vocals with innovative
beats , their style delights many tastes and alienates none.

Their 2010 song ‘Generale Suleiman’ became a hit after Italian director Gigi Roccatti
produced and released a video for the song on YouTube. Its reggae beat and
politically ambiguous message have been a big hit both in Lebanon and abroad
and sparked the idea for an Italian tour in January 2011 to promote the
band, the video, and a hit book ‘Beirut, I love you’ by Zena El Khalil.

The band has performed in underground venues in Beirut such as Basement ,EM Chill in Gemayze,Walimat as well as outside Lebanon in Italy’s infamous Cox 18 in Milan, and Rome’s Spa Strike.
has also graced the stage in more commercial venues such as this years Beirut Music and Art Festival in Downtown Beirut as well as performing live on the radio for Radio Liban (Lebanon), Radio Popolare (Milan), and Monocle Radio (UK).
Zeid and the wings were placed at number 5 on Monocles top 10 of best Lebanese Musicians , The band has also been featured in such publications as the Los Angeles Times, The Saudi Gazette, Italy’s ‘La Republica’ Magazine, and Time Out Beirut’s November.2010 edition...

The band released a limited edition EP in December of 2010 and are now
releasing their first long-awaited full album in the summer of 2011. With a
psychedelic cover designed by vocalist Yasmeen Ayyashi, and tracks produced
and mixed by guitarist Marc Codsi, the album is sure to delight Zeid and the
Wings’ followers as well as catch the eye and ear of new listeners.


Zeid and the Wings are:

Zeid Hamdan: Lead Vocals, Guitar,
Marc Codsi: Guitar, Synth, Drum Machine
Dany Shukri :Drums
Tarek Khouloud : Keyboards ,Guitar
Khaled Omran : Bass , vocals
Gihan El-Hage: Vocals, Percussion

(Source : http://www.lebaneseunderground.com)

Zeid and the Wings ep

01. Castles of Sand
02 Hkini
03. General Suleyman
04. Sah el Nom

HERE

Zeid and the Wings -  aasfeh

01 ocean
02 aasfeh
03 cowards
04 hikini
05 color divine intro
06 color divine
07 castle of sand
08 rocket
09 lola
10 balekeh

HERE

Zeid Hamdan/Shiftz - Collaborations and personal projects

2 balles blues
Ahwak feat Hiba el Mansouri
andoude (feat Kanjia Kouyate)
Askiniha ( Asmahan remixed )
C un probleme
Eskat el Nizam
Eslaha feat Maryam Saleh
hikini the wings master
Jazira final
lola the wings master

Wahdi feat Maryam Saleh
Yalla Tnam feat Hiba el Mansouri

HERE

Soap kills الصابون يقتل (Reloaded)

 

Soapkills was an indie electro-pop band based in Lebanon. The group was formed in October 1997 when Zeid Hamdan and Yasmin Hamdan, both born in Beirut in 1976 but not related, decided to explore and combine their interest in classical Arabic song and electronic music.

Currently a cult group in Lebanon, Soapkills got inspiration both from classical Arabic song and music and from the new electro scene blossoming in the Middle East. French media have described them as "Trip hop à l'orientale" The band's name was initially that of a song written by Zeid Hamdan, and according to him referred to the reconstruction of Beirut after the Lebanese Civil War: "We thought that at the time, in the context of Beirut being ... you know, reborn, and all the war being wiped clean, we thought, wow, it's shiny and it's awful and it's soap kills. We thought it would be a nice name for a band." The group's sound was initially dominated by a Roland MC-303 Groovebox, which Zeid Hamdan had acquired to replace musicians after the dissolution of Lombrix, a rock band that he had founded in the mid-1990s with Yasmine Hamdan and others.

The band appears on several compilations, has recorded the albums Bater (2001, for which it was joined by Rabih Mroué and Walid Sadek playing flute and trumpet ) and Cheftak (2002), and has performed in Paris, Berlin, Syria, Algeria, Congo, Egypt, Jordan, Lebanon, and Sydney. In 2005, Soapkills released their last album to date, entitled Entah Fen. The album features new material as well as remixes of their previous songs. In 2007, the band was mentioned in Time as part of "small but artistically significant rock scene" in Beirut.

Yasmine Hamdan and Zeid Hamdan both started working on solo projects. Zeid went on to form a band called The New Government, while Yasmine, during a Madonna party in Paris, met with the producer Mirwais. Together, they formed the duo Y.A.S. The project places Arabic lyrics at the center of electronic beats, and the album Arabology was released in France in march 2009.

In 2008 there were talks about a Best Of CD, consisting of the Zeid/Yasmine's most popular tracks, but various offers from producers have been rejected. There is no certainty about Soapkills' future, whether the band will reform or if they are completely dissolved is yet to be announced, but Yasmine has stated that Soapkills had been banned from radio and TV airplay and she hopes that Y.A.S won't have the same fate in France

(Source : Wikipedia)

Soapkills originated from the new electro scene that's currently emerging in the middle-east. the lebanese band inoculates sensual and melancolic music. bread on various musical moods, such as chet baker, aphex twin and stars from the arab world - mohammad abdelwahab, asmahan - the band composes original sounds while getting strong inspiration from the classical arabic repertoire. all of which ruthlessly embedded with electronic arrangements.

Their features? yasmine hamdan's sensuous voice flirting with a minimalist electro and zeid hamdan's delicate machine tweakings.

(Source : http://www.soapkills.com)

Discography

Lost ep (1997)
Live at Circus (1999)
Bater (2001)
Cheftak (2002)
Enta Fen (2005)

Soap kills الصابون يقتل  - Lost EP (1997)

01 Lost
02 Violence
03 Salopette
04 Lucid

HERE

Soap kills الصابون يقتل -  Live at Circus (1999)

01 Habibi

02 Lost
03 Friends
04 Coit Me (Instrumental)

HERE





Soap kills الصابون يقتل - Bater

01 Le Zaalen
02 Zizi
03 Cheat on me
04 Coit me
05 Coit me (Zaid mix)
06 Yahoo
07 Follow
08 While you are rehearsing
09 Flower juice
10 Enlarge it
11 Freres


HERE

Soap kills الصابون يقتل - Cheftak شفتك

01 Aranis
02 Cheftak
03 Tango
04 Kazdoura
05 Marcoslow
06 Wadith
07 Dub4me
08 Rnbullshit

HERE

Soap kills الصابون يقتل  -  Enta Fen

01 Aranis (Remix)  

02 Enta Fen

03 Herzan

04 Galbi

05 Manni Zelak

06 Wahch

07 Adaram

08 Leh Zaalen (Remix)

09 Ara Salmou

10 Kazdoura (Remix).

HERE