Mohamed Rouicha محمد رويشة

Mohamed Houari,dit Mohamed Rouicha, (né le 1er janvier 1950 à M'Rirt - mort le 17 janvier 2012 à Khénifra) est un chanteur Amazigh marocain spécialiste du ouatar ou loutar, un instrument de musique marocain apparenté à l'Oud plus rustique.

Issu d'une famille modeste, il quitte l'école «Dyour Chiouks» de Khénifra à l'âge de 11 ans. Il commence à jouer à Loutar en 1964, notamment dans des cercles traditionnels de musiciens. La même année, Rouicha se lance dans l'interprétation de la chanson traditionnelle berbère et produit déjà un premier disque en collaboration de la chaîne marocaine RTV1.

Mohamed Rouicha qui pose sa voix de manière chaleureuse, obtient progressivement une renommée dans son pays grâce à des titres tels que Ya lehbiba, bini w'binek darou lehdouden en Tamazight et arabe.

Les thèmes des textes de Rouicha évoquent dans un style populaire purement traditionnel, l'amour, la nature, la justice (que ce soit dans le monde profane ou religieux), la politique, la vie et la mort.

En 2004, il se produit avec ses musiciens dans les ruines romaines de Volubilis dans le cadre du Festival de Fès des musiques sacrées du monde

En juillet 2010, il est invité à chanter pour inaugurer le festival des Gorges de Tinghir qui a eu lieu le 28, 29 et 30 juillet dans la commune de Tinghir. Un rendez-vous qui lui tient très à cœur dans la mesure où sa mère est originaire de cette commune de plusieurs dizaines de milliers d'habitants. En effet, avant même de commencer à jouer à Loutar, il n'oublie surtout pas de le rappeler avec cette phrase : «mimiss n'moulay Lahcen, mimiss n'lala Aicha iliss n'moulay Hanafi oult tdoght.», littéralement traduit: «fils de Moulay Lahcen, fils de Lala Aicha fille de Moulay Hanafi originaire de Toudgha. », une phrase qui rappelle que l'artiste ne fait que revenir aux sources pour jouer dans la région dont sa mère est originaire, à savoir la vallée du Toudra2.

Après une carrière de près de 50 ans, Mohamed Rouicha est décédé3 , le mardi 17 janvier 2012 suite à une détérioration fulgurante de son état de santé le matin de ce même jour et a succombé avant même son arrivée à l'hôpital .

(Source : Wikipedia)

 

 

Mohamed Rouicha , nato il 1 Gennaio 1950 a M'Rirt presso Khenifra , è stato un poeta, cantante e strumentista marocchino di origine berbera.

Nato in una famiglia modesta, Mohamed Rouicha lascio la scuola “ Dyour Chiouks “ di Khénifra all'età di 11 anni e si dedicò attivamente allo studio della musica . Scelse come strumento privilegiato il Louatar, un cordofono imparentato con L'Oud ma decisamente più rustico, del quale diverrà con il tempo uno degli specialisti riconosciuti. Interrogato anni dopo circa la scelta di questo strumento Rouicha dirà : “ il Loutar uno strumento che è stato a rischio di estinzione. E' stato utilizzato nel Halka (il nostro vecchio teatro, del quale sono orgoglioso). Volevo salvarlo , è uno strumento storico che fa parte del nostro patrimonio”.

L'inizio ufficiale della sua carriera avviene nel 1964 con un lavoro presso la RTM (società marocchina di radio diffusione) nella divisione dedicata alla cultura Amazigh . Il canale televisivo marocchino RTV produce il suo primo album composto da canzoni legate alla tradizione berbera. I temi dei testi interessano l' amore, la natura, la giustizia (sia nel mondo laico che religioso), ma anche la politica, la vita, la morte , le ingiustizie e tematiche filosofiche molto vicine , come approccio, al sufismo.

Dotato di un timbro rilassato molto avvolgente , Mohammed Rouicha comincia a crearsi un nome all'interno del panorama musicale non solo marocchino.

Nel 1979 , dopo quindici anni di gavetta, viene confermato musicista professionista presso la RTM , ma il suo nome è già da tempo conosciuto e rispettato ed i suoi album acclamati ad ogni uscita.

Per più di quattro decenni produrrà album qualitativamente ottimi senza che la sua opera perda nulla in bellezza e lucentezza . In virtù della sua produzione sarà riconosciuto come ambasciatore della canzone berbera a livello internazionale .

Ammirato in egual misura sia nel mondo arabo che in occidente,

Mohammed Rouicha avrà modo di esibirsi nel corso della sua carriera in svariati festival musicali.

Memorabili saranno le sue apparizioni al festival di musica sacra di Fes nel 2004, in un concerto presso le rovine romane di Volubilis , e nel 2010 all'inaugurazione del festival des Gorges presso Tinghir, località della quale era nativa la madre.

Mohamed Rouicha morirà Martedì 17 Gennaio 2012 in seguito ad un rapido deterioramento del suo stato di salute lasciando quattro figli (due maschi e due femmine) ed un patrimonio musicale unico.

Ha  onorato il suo paese ogni giorno della sua vita , sempre accompagnato dal suo fedele strumento, offrendo decine di composizioni in lode al Medio Atlante, comportandosi come se il cosmo e la natura fossero sempre dalla sua parte . 

Con la sua morte il Marocco perderà uno dei suoi poeti più significativi.

 

 

 

Mohamed  Rouicha- Taamiti tenghami /Taazt ghouri  7"

Label : Koutoubiaphone KTP 1712
Format : Vinyl 7"


SIDE A - Taamiti tenghami
SIDE B - Taazt ghouri

HERE

Mohamed Rouicha CD 688 - Hawel Awa Taamidi

01 Hawel Awa Taamidi
02 Eamayi Badad
03 Cha Odbib Ortoufikh Iwoul
04 Awyati Gher Somazir Osmoun

HERE

Mohamed  Rouicha CD 717 - Grande Soiree Avec Rouicha

01 Gouli Alach Nekhamam Aaqli Sar Yahlem
02 Malek Hakda Alyam /Kona Khawa

HERE



Mohamed Roucha  TCK 725 - Dada Yadada Wach Hada

01 Dada Yadada Wach Hada 
02 Kona Khawa Lkhawa Sabhat Adawa 
03 Malek Hakda Ya Lyame
04 Taarida

HERE



Mohamed  Rouicha CD 736  -  Yalli Rak Wahdani

01 Yalli Rak Wahdani
02 Wach Lmarbout Kaylomouh Nass

HERE



Mohamed  Rouicha CD 755 - Lillah Ya Hmam Al Ghali

01  Lillah Ya Hmam Alghali
02 Taqassim Wa Twichiate 1
03 Chehal Men Lila Wa Lila Ana Dahhit
04 Taqassim Wa Twichiate 2

HERE

 

 

 

 

 Mohamed  Rouicha CD 756 

 

01 Rabbi Maytaanid Ayoul 
02 Yerd Adar Ghouri 
 

 HERE

 

 

  

 

 

Mohamed  Rouicha TCK 763

 

 

A1 Taqsim 1
A2-B1 Taqsim 2
B2 Taqsim 3

 HERE

 

 

 

 

Mohamed  Rouicha CD 764- Ayit Nssawal Aakli Aach Mhawal

01  Ayit Nssawal Aakli Aach Mhawal
02  Ya Lwarda Alach Khalafti Waadi
03   Chehal Addit Melahmoum
04   Ya Ghzali Hram Alik

HERE

 

 

 

Mohamed  Rouicha TCK 788 -  Rarad Amazan
 

 

 

A1 Aghoudeh Labas

A2 Awaroutn Ayoulinou

B1 Rarad Amazan
B2 Ahidous 

 

 HERE

 

 

Mohamed Roucha  CD 790 - Aafak Alhwa Hda Alia

01 Aafak Alhwa Hda Alia
02 Lawah Ammi Lawah Lhob Yaadab
03  Ana Tiri Mhajer
04  Toub Toub Arassi

HERE



Mohamed  Rouicha CD 819 - Llile Llile

01 Llile Llile
02 Golti Mazal Kathab
03 Al Hbiba
04 Akhoya Matkrah Ljamal

HERE



Mohamed Roucha  TCK 849  - Allah Jmaa Lmoumnin

01 Allah Jmaa Lmoumnin Sallou Ala Nabi Kamlin
02 Samhi Lia Lwalida

HERE

Mohamed  Rouicha TCK 872 -  Ouaili Ouaili

 

 

A1 Ouaili Ouaili

A2 Ezzine

B1 Mahboubi 

B2 Al Âshqin

 

 HERE

 

 

Mohamed  Rouicha CD  971 - Ya Aajaba Chehal Dart Bi Hsabek

01 Ya Aajaba Chehal Dart Bi Hsabek
02 Bin Lbareh Wa Lyom Lila Mahlaha
03 Hada Malou Tghayar Halou

04 Kter Hami O Takhmami


HERE


Mohamed  Rouicha TCK 1157

A1 Ana Noussik
A2 La Smaha Lli Kan Sbab
B1 Hatta Line

B2 Lahbiba Latgouli Lawah

 

 HERE

 

 

 

 

 Mohamed  Rouicha TCK 1196 - Instrumental Musical Masterpieces

 

 

 

 

 HERE

 

 

Mohamed Roucha  TCK 1241  - Ayam Essghur Zina

01 Ayam Essghur Zina
02 Suwwelt Rasi Lyoum
03 Feen Tghib Lahbib
04 Khellit Sammu7 Same7ni

HERE  



Mohamed Roucha  CD 1251 - Chkoun Yefhamni

01 Chkoun Yefhamni 
02 Ya Rayeh 
03 Lmen Ghadi Nechki 
04 Men Hin Lhin 

HERE



Mohamed  Rouicha CD 1267 - Ayamhssad

01 Ayamhssad 
02 Chigue Aguikhdane
03 Anoudem Ouriyiwi
03 Toudert Ewachebab

HERE


Mohamed  Rouicha CD 1268 - Lamouni Nass

01  Lamouni Nass 
02  Lahbiba Dalma
03  Hatta Laaba
04 Ya Aini Saraa Dmouak
05  Ghir Saaf Ya Qalbi

HERE




Mohamed Roucha  TCK 1274 - Achakt Fik Assfa Wa Lawfa

01 Achakt Fik Assfa Wa Lawfa
02  Taref Men Nakhwa Yaaich 
03 Daba yaafou daba yathoub
04   Salama Salama

HERE



Mohamed Roucha  TCK 1275  - Yowichid Rabbi

01 Yowichid Rabbi
02  Ayoulinou Fast Adourtallad 
03 Ouna Mikir Toubet
04 Makh Makh Awamakh


HERE




Mohamed  Rouicha - Ah Yalhbib

01  Zine El Safi
02  Kol Saa Wkol Hine
03  Fad Qalbi Hlib
04 Yak Ana Lik Wanti Liya
05  Ah Yalhbib
06  Nsah Nta Ila Bghiti Tansah

HERE



Mohamed  Rouicha - Yak Nourzekh Ayma

01  Maya - Yak Nourzekh Ayma
02  Awra Trid Atdout
03  Awaydissen Wayhobanou Ylin


HERE



Mohamed  Rouicha-Inass Inass

01 Inass Inass
02 Aya yachanhakh awa
03 ditt awa ditt
04 Awa taadabtti

HERE



Mohamed Rouicha - 1950/2012 Hommage A Rouicha

01 A3az Nass
02 Farrag Lahmam
03 Ha Lemhayen
04 Lajwab Menek Ijini
05 Li Ghab Hbibou
06 Dawiha
07 Arourb
08 Mani Aazazite
09 Hbibi
10 O'Chikh
11 Tahidoussite
12 Iza Likh Aari

HERE

 

 

 

 

Ibrahim Maalouf ابراهيم معلوف

Ibrahim Maalouf (born 5 December 1980) is a French-Lebanese trumpet player and teacher, composer and arranger. He was born in Beirut, Lebanon, and now lives in Paris, France.

Maalouf was born into a Lebanese family of intellectuals and artists; he is the son of trumpeter Nassim Maalouf and pianist Nada Maalouf, nephew of the writer Amin Maalouf and grandson of journalist, poet and musicologist Rushdi Maalouf. He is noted for playing Arabic music with quarter tones on the trumpet, which is a rare skill, pioneered by his father and Don Ellis in the 1960s.

Maalouf has also earned prizes in the major classical trumpet competitions in the world. In July 2010, he was awarded the Instrumental Revelation of the Year at the French Jazz Music Awards (Victoires du Jazz), and more recently was awarded Best World Music Artist at the French Music Awards in 2014.

Ibrahim has also composed several movie soundtracks, (Yves Saint Laurent (Jalil Lespert) 2014; Smart Ass (Kim Chapiron) 2013), and several pieces for choirs and symphonic orchestras.

After winning international classical music competitions, Ibrahim was well known for playing and recording with renown artists from different styles of music: Sting, Salif Keita, Amadou & Mariam, Lhasa de Sela, Marcel Khalifa, Vanessa Paradis, Juliette Greco, Archie Shepp,...

His family fled Lebanon in the midst of a Lebanese Civil War and Maalouf grew up in the Paris suburbs with both parents and his sister Layla, who is two years older than he is. He studied there until the age of 17 and earned a baccalauréat in General Science and Specialised Mathematics from the Lycée Geoffroy-Saint-Hilaire in Étampes (Essonne).

He began to study the trumpet at the age of 7 with his father Nassim Maalouf, a former student of Maurice André at the Paris Higher National Conservatory of Music and Dance. His father taught him classical technique, baroque, classical, modern and contemporary repertoires, as well as classical Arabic music and the Arab art of improvisation and style. In fact, his father was the inventor of the micro-tonal trumpet, called “quarter tone trumpet”, which makes it possible to play Arab maqams on the trumpet. Another characteristic of these early years was that Maalouf began playing the piccolo trumpet very young. From the age of 9, he accompanied his father in a duo throughout Europe and the Middle East, playing a baroque repertoire by Antonio Vivaldi, Henry Purcell, Tomaso Giovanni Albinoni, etc... This was how he learned to play in front of an audience, and how audiences gradually began to become acquainted with him. When he was 15, Maalouf came to the attention of professional musicians when during a concert with a chamber orchestra, he interpreted the 2nd Brandenburg Concerto by Johann Sebastian Bach, considered by many trumpeters as the most difficult piece in the classical trumpet repertoire. Several years later, Maalouf met Maurice André, who encouraged him to go professional. This prompted Maalouf to abandon his scientific studies and dedicate himself entirely to his musical career.

Maalouf then successfully passed an open competition at the CNR de Paris (regional Conservatory) and joined the class of Gérard Boulanger for a two-year training course. After that, he passed another open competition and joined the CNSM de Paris (Higher National Conservatory of Music and Dance in Paris) in the class of Antoine Curé for a three-year training course. He obtained degrees from both of these schools, considered to be the top establishments in the field of classical music, but also during his five years of study, he entered national, European and international trumpet competitions in order to discover the full range of the trumpet repertoire and to develop his technical skill.

Between 1999 and 2003, Maalouf earned awards in 15 competitions throughout the world. His most prestigious prizes were 1st prize in the Hungarian International Trumpet Competition in Pilisvörösvár in May 2002, 1st prize in the National Trumpet Competition (Washington DC) in 2001 and 2nd prize (ex aequo) in the Maurice André International Competition in Paris in 2003, regarded as one of the two most prestigious international competitions. The Cziffra Foundation and the Pro-Europa Foundation, patroned by the Prince of Denmark also contributed significantly to the launch of his international classical career.

From 2006 to 2013, Maalouf has been trumpet instructor at the CNR of Aubervilliers, La Courneuve in France, where he followed in the footsteps of the celebrated instructor André Presles. Maalouf is regularly invited to give master classes and recitals in France and abroad.

Maalouf also composes for different classical orchestras. He wrote more than 15 pieces for different ensembles from small to symphonic orchestras and choirs that were commissioned since 2005.

Ibrahim now teaches improvisation to classical musicians, (all instruments) at the Conservatoire à Rayonnement Régional de Paris.

Maalouf has never abandoned the Arabic trumpet. Although competitions take up a large measure of his time, he nevertheless continues to explore music from other angles, in particular improvisation and composition with Arabic music and Jazz. During his studies at the Paris CNSM, he followed jazz classes as assiduously as he did classical trumpet classes. His training in jazz is self-taught, derived from his experience with Big Bands and with different groups he has played with at different times. He often plays in Paris jazz clubs, frequently changing from one band to another in pursuit of the sound he is interested in. In 2000, Maalouf met producer Marc-Antoine Moreau, who introduced him to the cellist Vincent Segal. It was the beginning of a long and fruitful series of encounters. Amadou & Mariam, Matthieu Chedid, Lhasa de Sela, Angel Parra, Jeanne Cherhal, Arthur H, Marcel Khalifé...between 2000 and 2007, Ibrahim performed with many internationally famous singers and musicians, discovering the musical trade while exploring his own sound. His last great partnership was with his friend, the French singer Vincent Delerm, who asked him to accompany him on a promotion tour for his album Les Piqûres d’Araignées, a tour that ended in June 2007. In November 2008, Maalouf played in the opera « Welcome to the Voice » at the Chatelet Theatre in Paris. Composed by Steve Nieve (Elvis Costello’s keyboardist) and directed by Muriel Teodori. On this occasion, Maalouf encountered on stage various artists including Elvis Costello, Sylvia Schwartz and Sting, who played the lead role in this performance. Sting asked him to play on one of the title songs of his October 2009 album. Maalouf then toured again with Vincent Delerm (January 2009) in a smaller formation where he derived a lot of pleasure from playing piano, wurlitzer, vibraphone, synthesizer, drums and trumpet, while finishing his second album, planned for the Fall 2009.

Maalouf has composed music since he was very young. He presented his compositions for the first time in 1999. His first group "Farah" had a relatively strong Oriental Jazz flavor because he was accompanied by a saxophone, a ney (Middle-Eastern end-blown flute), a transverse flute, a piano, a double bass, a guitar, a buzuq (a long-necked fretted lute related to the Greek bouzouki) and Arabic percussions. A concert recording by this group was broadcast on several music channels between 2004 and 2005. The group did some studio tests, but never produced an album.

In 2004, his encounter with Lhasa de Sela opened the doors of electro music to him. His collaboration with pop and rock singers made him discover other musical styles apart from jazz, classical music and Arabic music. Gradually, Ibrahim’s compositions began to reflect a more contemporary style. In 2006, after exploring many different musical paths, he met Alejandra Norambuena Skira (from the SACEM’s Action Fund), who introduced him to Jean-Louis Perrier. Jean-Louis helped him to form the band with whom he gave a concert on February 12, 2006 at the Paris New Morning Jazz Club. From that moment on, he became a recognized figure of the Paris Oriental Electro Jazz Scene.

His music and his trumpet playing are strongly inspired by his Arabic culture, but the instruments around him (bass, electric guitar, drums, Arabic percussion and vibraphones) and the musicians with whom he performs give a more contemporary rock, electro and Jazz-funk flavor to his music. His concerts are generally built around stimulating music that makes people want to get up and dance. But there is always a short, more contemplative, mystical interlude during his concerts, which he calls "a collective universal prayer". Maalouf gets a lot of his inspiration from his culture of origin. This subject has been explored in the documentary Souffle! (Blow), directed by Christophe Trahand and produced by Cocottes Minutes between 2005 and 2006. Christophe Trahand followed Ibrahim for several months in pursuit of the key to his inspiration and to explore his relationship with his native country and the distance that separates him from it. This documentary was broadcast by TV5 MONDE and is available on DVD in the collection Docnet Films.

(Source : Wikipedia)







Ibrahim Maalouf ابراهيم معلوف - Diasporas (2007)

01 Intro
02 Diaspora
03 Kanoun Improvisation
04 Hashish
05 Missin' Ya (Night In Tunisia)
06 Oud Improvisation
07 Shadows
08 Verdict
09 Last Wishes
10 Trumpet Improvisation (bonus track)
111925 (bonus track)

 HERE



Ibrahim Maalouf ابراهيم معلوف - Diachronism  ( 2010 )


                                         

01 Pouh Hia
02 Naga (Feat Adrian Jubran)
03 Ya Ha La
04 Trumpet And Saz Improvisation (Feat Bijan Chemirani)
05 Hyu Man
06 Intro (Old Radio Of A Lebanese Mountain)
07 Esse Emme
08 Intro (Winners Of 2007-2009 Tour)
09 Bizarre (Feat M)
10 Make Ce (Feat Lollibob)
11 Trumpet And Piano Improvisation (Feat Jacky Terrasson)
12 Souma Hia (Feat Jacky Terrasson)



HERE
 




Ibrahim Maalouf ابراهيم معلوف -  Diagnostic (2011)

01  Lily (is 2) 
02 Will soon be a woman
03  Intro
04 Maeva in the wonderland
05 Your soul
06 Everything or nothing
07 Never serious
08 We'll always care about you
09 Douce (feat Oxmo Puccino)
10 All the beautifull things
11 Diagnostic
12 Beirut


HERE
or
HERE
or
HERE



Ibrahim Maalouf ابراهيم معلوف -  Wind (2012)

01 Doubts 
02 Suspicions
03 Waiting 
04 Questions & Answers 
05 Waiting 2 
06 Excitement 
07 Certainly 
08 Sensuality 
09 Issues 
10 Surprises 
11 Doubts 2 
12 Mistery  

 HERE
or
 HERE






 
Ibrahim Maalouf ابراهيم معلوف - Illusions (2013)

01 Illusions 
02 Conspiracy Generation 
03 InPressi 
04 Nomade Slang 
05 Busy 
06 If You Wanna Be a Woman 
07 Unfaithful
08 True Sorry 
09 Illusion  


HERE   Password: surajmusic
 or
HERE 
or
HERE 


Ibrahim Maalouf ابراهيم معلوف - Red and Black Light (2015)

01 Free Spirit (07:01)
02 Essentielles (03:39)
03 Goodnight kiss (06:51)
04 Eléphant’s Tooth (04:37)
05 Red & Black Light (03:51)
06 Escape (06:15)
07 Improbable (05:59)
08 Run the World (Girls)

HERE
or
HERE



Ibrahim Maalouf ابراهيم معلوف - Kalthoum (2015) 

01 Introduction
02 Overture I
03 Overture II
04 Movement I
05 Movement II
06 Movement III
07 Movement IV

HERE

Men Wara el 3adaseh من وراء العدسة ( Reloaded )

Men Wara el 3adaseh ( Behind the Lens ) is a collective of three underground MCs and producers, Samer Abdel Karim, Qarar & Edd Abbas. Back in September 2012, the trio released their first self-titled 6-track EP titled "Men Wara el 3adaseh". Three years later, the trio came back to work on their second album titled "Ta2irat el Rou7" ("Soul Plane") produced entirely by Edd Abbas. Lyrically, the album is inspired from the changes that each member went through in the past couple of years on both a personal and socio-political level. On behalf of the collective, we are proud to present to you this album that was completed in less than 5 months.



Men Wara el 3adaseh من وراء العدسة EP

 01 Nhar Jdid
 02 Soul
 03 Makhzan Malein (remix) 
 04 Ightiyeil
 05 Bala esem
 06 3ibarat majeziyyeh

HERE



 Men Wara el 3adaseh من وراء العدسة - Ta2irat el Rou7 طائرة الروح

 01 Roo7 El Moude3abeh
 02 Roo7 El Moughamara
 03 Roo7 Riyadiyeh
 04 Roo7 El Funk bi Beirut
 05 Rou7 El Nekteh
 06 Rou7 El Na3na3
 07  Fineh Rou7
 08 Ma Fineh Roo7
 09 Rou7 El Moughamara El Tawileh

HERE

Zeid & The Wings - Balekeh EP

01 C'est un problem
02 Chouei
03 Iza W Law
04 Jazira
05 Balekeh (Acoustic)

HERE

 

Chaabi Music From Al Maghrib الـمـوسـيـقـى الـشـعـبـيـة مـن الـمـغـرب

Label :   Mississippi Records ‎– MRC-009

Format :  Tape


A1    Lemchaheb  لمشاهب - Taleb الطالب       
A2    Jil Jilala   جيل جيلالة -   Liyam Tnadi    الايام تنادي  
A3    Sheika & Mohammed    الشيخة و محمد  -  Alhob Asaab الحب الصعب 
A4    Rais Hmad Bizmaoun  الرايس احمد بزمون    - Amarg Noune امارك نّون 
A5    Al Warchan  الورشان  - The Local is a Strangerولد البلاد و غريب 
A6    Sfya Oltalwat  صفية اوتّلوات - Ofikhad Awaadi اوفيغداد اوّاد   
A7    Nouas  نوّاس  - Kords كردس  
A8    Achbal El Atlas   اشبال الاطلس  -  Elouassya الوصاية 
A9    Jil Jilala جيل جيلالة  -    Laayoun Ainna  العيون عينية
A10  Kbira Bziouia  لكبيرة بزيوية  -  Dami دامي 

B1    Nass el-Ghiwane  ناس الغيوان  -  Ya Bani Al Insaneيا بني الانسان
B2    L'Farka Chaabia  الفرقة الشعبية  - Oghniat L'Haj   اغنية الحج  
B3    Jil Amrawa  جيل عمراوة  - Allah a Sidi Rabi el-Alli الله أسيدي ربي العالي
B4    Jil Jilala جيل جيلالة  -   Al Kouds القدس 
B5    Tajdid El Houari تجديد الهواري    -   El Baz  الباز 
B6    Abdou el Omari  عبده العماري  - Fatine فاتن
B7    Fahoud Ahlesahar  فهود آل السهر   - Hada Zmane Oudak Zmane  هدا زمان وذاك زمان
B8    Unknown Ensemble - Ahla Nya اهل النية - مجموعة
B9    Eddaka  الدقة   - Alef Leila Oua   Leila ألف ليلة و ليلة ألف ليلة و ليلة - الدقة


HERE 

Nouwasse El Hamra نواس الحمراء - Waili Hjarni وايلي هجرني / Yama ya maya ياما يا مايا

Label : Koutoubiaphone ‎– KTP 1668

Format :  Vinyl 7"


Side A ) Waili Hjarni  وايلي هجرني

Side B ) Yama ya maya  ياما يا مايا


HERE

Al Warchan الورشان - Mani Hayeme ماني هايم

Label :  Koutoubiaphone ‎– KTP 1684 

Format : Vinyl  7" 

Side A )  Mani Hayeme  ماني هايم
Side B )  Mani Hayeme  ماني هايم


HERE

Tagada تڭدة - Sir Fihalek Yahad El Ould سير قحالك ياهد الولد

Label : Casaphone ‎– CSP 1454

Format : Vinyl 7" 


Side A )  Sir Fihalek Yahad El Ould   سير قحالك ياهد الولد
Side B )  Sir Fihalek Yahad El Ould   سير قحالك ياهد الولد  


HERE

Eddaka الدقة - Alef Leila Oua Leila ألف ليلة و ليلة

Label : Philips ‎– 6278078
 
Format : Vinyl 7"

Country : Morocco
 
Released : 1973 

 Side A :   Alef Leila wa  Leila ألف ليلة و ليلة   Part 1
 Side B :   Alef Leila wa  Leila ألف ليلة و ليلة   Part 2

HERE